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Posts
- The Bread and Butter Paintings of Conor Walton
- Jacinto Guevara: He Ain’t No Nice Guy After All
- SAMA Misses Out Again
- The “Useless” Myth
- Why Contemporary art is obsessed with the politics of race, gender and ethnicity
- Who is the audience?
- Cultural Imperialism and the Canon of Financialism
- Apocalyptic Visions
- Abstract Expressionism:Â Degenerate Art or a Cold War Conspiracy?
- A Metaphorical Slap for FIAC
- Houston Fine Art Fair 2014: Brilliance Blossoms from a Field of Manure
- Pop Art or Pop Colony?
- What is Happening to San Antonio’s Luminaria?
- Why Is The Artworld So Irrational And What Can Be Done About It?
- The Artist as Strange Attractor (Keynote Speech)
- Terri Thomas
- Museum Boards of Trustees: Should We Just “Trust” Them?Â
- Mark Cloet, “Defining Art,” Episode 09
- Benini “Face of God”
- Oceanic Exhibit at SAMA
- Watching the Watcher, the Traveler Series
- What is Art? The Five Questions plus Colin Christian Interview.
- Mark Cloet, “C. Stone”
- Works of Henri Fantin-Latour
- Colin Christian, “Fast Forward”
- Explore McAllen – “Amazing” Ron English Video
- Ron English, “You Are Not Here”
- For Inquiring Minds
- Voyeurism & the Mise-en-scène: The Dynamics of Gender in Depictions of the Reclining Female Figure as a Context for Understanding Manet’s Olympia